ARTWORK Featuring art from the SWANA region The RE ProjectAbdulrahman Al-Bedah: Man is the Son of his Environment and the Narrator of its Stories March 6, 2022March 11, 2022
NEW The RE ProjectAisha Tida Abbassi: Understanding The Way They Move January 2, 2022January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectMalek Gnaoui: The Elastic Mind December 31, 2021January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectNidhal Chamekh: A Different Way of Resonating With The Past December 30, 2021January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectNoor Abuarafeh: How To Resist Forgetfulness December 29, 2021January 18, 2022
ARTWORK Featuring art from the SWANA region The RE ProjectMohamed Adel Dessouki: How Do You Tell a Story That Doesn’t Even Exist? December 29, 2021January 18, 2022
ARTWORK The RE ProjectHauntology & Ephemera(l) Saudades. The Transmedia Poetics of The Archive December 29, 2021July 13, 2022
ARTWORK Featuring art from the SWANA region NEW The RE ProjectMohamed Ghassan: A Different Kind of Archive December 28, 2021January 18, 2022
ARTWORK NEW The RE ProjectLaboratorio Lacustre: Plants, Territory and Time December 28, 2021January 18, 2022
ARCHIVE EXHIBITION Featuring art from the SWANA region The RE ProjectArabic Cover Design Archive: Filling The Gaps In Design History December 28, 2021January 18, 2022