Zhao Zhou — Black Tempest
Looking into Sytske Nijp’s “Shift Box”
Martijn de Geele — Repetition to Change
Arne Hellwege — The Resonance Effect
Siryne Eloued — Today I Found My Friends
Gudrun Barenbrock — Inverted
Dora Hichri — Working on Color Fields
Hartung Trenz — Verses of Light
Gudrun Barenbrock — Rendering Visuals
Making of MISE EN LUMIERE in Tunis
Zeineb Kaabi, Hayfa Ouerfelli – Tracing Our Heritage
Abeer Seikaly — Reconnecting Through Matter
Bochra Taboubi — Esthetics of a Stranger
Farah Sayem
Soraya Ghezelbash and Melika Abdel Razzak — a botanical trance. dance. stance
Magali Cazo — Anchoring Ourselves in Ink
Krištof Kintera: A Junk Prothalamium — The Union of Nature and Technology
Heidi Vogels — The Hidden Garden
Marvin Dreblow — Uncanny Valley
RE:MIXED Transnational Cities — Gudrun Barenbrock
Ilias Selfati — Traces
Mohamad Khayata — How Retrospecting Forms
Férielle Doulain Zouari — The Resistants
Souad Mani — The Esthetics of Consciousness
Zaid Abueisa — What is Hidden
Sarah Steger — Warfare in a Fragile World
Friedrich Boell — Redefining the Worth, Value and Usefulness of Electronic Scrap
Shatha Khalifeh — Morning Glory
Wafa Lazhari — Visualize the Unseen
Dora Hichri — Between Art, Space and the Digital
Yassin Agrbi — Don‘t come to see my artwork, come to live in my world
Zaid Abueisa — Visualizing, Materializing, Realizing
Local Art Scene Sfax
The Art Of Engineering Or The Engineering Of Art?
Abdulrahman Al-Bedah: Man is the Son of his Environment and the Narrator of its Stories
Omneia Naguib: Opposing Duality
Anis Ben Jemaa: From the Rooftop to the World
Yasmine ElMeleegy: Rituals of Healing
A Moment with Younes Ben Slimane
Martina Dal Brollo: Polarized View
Madelief van de Beek: NOT TO BE IGNORED
Joris Bosma: Staying Suspended in Motion
Aziz Aissaoui: Noce
Omnia Sabry: Chlorophyllic Memory and Other Findings
Joumana Medlej: Words as Symbols
Aisha Tida Abbassi: Understanding The Way They Move
Malek Gnaoui: The Elastic Mind
Ahmed Shawky Hassan: The Artist as/The Artist and
Nidhal Chamekh: A Different Way of Resonating With The Past
Tessa Langeveld: On Feelings, Interaction And Senses
Noor Abuarafeh: How To Resist Forgetfulness
Mohamed Adel Dessouki: How Do You Tell a Story That Doesn’t Even Exist?
Hauntology & Ephemera(l) Saudades. The Transmedia Poetics of The Archive
Mohamed Ghassan: A Different Kind of Archive
Daniela Nofal: Liquid Archives
Laboratorio Lacustre: Plants, Territory and Time
Arabic Cover Design Archive: Filling The Gaps In Design History
Reservoir Peacocks: The Body As An Archive
Elif Satanaya Özbay: The Ordinary Fight Or Fighting The Ordinary?
George Mazari: Time Is A Desert Of Being That Surrounds Us
Britt Van Den Boogard: A Synaesthetic Experience
Samira Arrami: A Second Life
Paula Nishijima: Is The Artwork Only What We See?
Alcaeus Spyrou: A Cold Metal World Floating On An Even Colder Sea
Ana Rodriguez: Déjà Vu
Gudrun Barenbrock: lost & found
Samantha Pellarini: Ever Felt Like You Don’t Belong?
Liftinger and Sandoval: Deconstructing the Projection Beam
Lan-Hsin Tu: New Material World
Haifa Ouerfelli: The Cycle of Creation
Jan Herman de Boer
Neja Kaiser
Roya Mansar
Elham Khattab
Irene Urrutia
Sara Al-Hindi
Giuliana Grippo
Emily Sarsam
Famkje Elgersma
Syrine Siala
Aymen Gharbi
Aisha Tida Abbassi
Amin Gharbi
Katerina Kallivrousi
Anne van Lierop
Samira Bouabana
Daniela Nofal
Alexia Alexandropoulou
Kenza Jemmali
Nadia Mounier
Huda Zikry
Hela Djobbi
Rania Atef
Sara Mari Blom
Salma Kossemtini
Cyrine Bettaleb Ali
Bettina Pelz
