ARCHIVE Featuring art from the SWANA region NEW The BASEERA ProjectOmneia Naguib: Opposing Duality January 13, 2022December 9, 2022
Featuring art from the SWANA region NEW The BASEERA ProjectAnis Ben Jemaa: From the Rooftop to the World January 12, 2022December 9, 2022
ARTWORK Featuring art from the SWANA region NEW The BASEERA ProjectYasmine ElMeleegy: Rituals of Healing January 11, 2022January 18, 2022
ARTWORK NEW TEXT ME Leeuwarden 2021Madelief van de Beek: NOT TO BE IGNORED January 4, 2022January 21, 2022
ARTWORK NEW TEXT ME Leeuwarden 2021Joris Bosma: Staying Suspended in Motion January 3, 2022January 23, 2022
ARTWORK Featuring art from the SWANA region NEW The BASEERA ProjectAziz Aissaoui: Noce January 2, 2022March 11, 2022
ARTWORK Featuring art from the SWANA region NEW The BASEERA ProjectOmnia Sabry: Chlorophyllic Memory and Other Findings January 2, 2022April 9, 2022
NEW The RE ProjectAisha Tida Abbassi: Understanding The Way They Move January 2, 2022January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectMalek Gnaoui: The Elastic Mind December 31, 2021January 18, 2022
ARTWORK Featuring art from the SWANA region NEW The BASEERA ProjectAhmed Shawky Hassan: The Artist as/The Artist and December 30, 2021April 19, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectNidhal Chamekh: A Different Way of Resonating With The Past December 30, 2021January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The RE ProjectNoor Abuarafeh: How To Resist Forgetfulness December 29, 2021January 18, 2022
ARTWORK Featuring art from the SWANA region NEW The RE ProjectMohamed Ghassan: A Different Kind of Archive December 28, 2021January 18, 2022
ARTWORK NEW The RE ProjectLaboratorio Lacustre: Plants, Territory and Time December 28, 2021January 18, 2022
ARTWORK EXHIBITION Featuring art from the SWANA region NEW The BASEERA ProjectINTERFERENCE YOUNG MASTERS PROGRAM: Public Art December 23, 2021January 2, 2023